• Different parts of scroll
    • Honshi - main sheet, this is where the writing is done
    • Ichimonji - above and below the honshi, one thin line of material.
    • Chuumawashi - backing the honshi and ichimonji in the center is the chumawashi, also normally of some ornate fabric
    • Ten and chi - heaven and earth, this is the backing above and below the chumawashi
    • Futai - the two dangly ribbons that hang from the top of the scroll
    • Tsuyu - the white bunches of string at the very ends of the futai
    • Kake-o - the hanging cord used to hang on the kugi
    • Maki-o - the long cord used to tie the scroll when it’s put away
    • Jikusaki - the endcaps on the bottom of the scroll, fairly heavy and used to weigh the scroll down a bit
  • Putting up jiku
    • (note, the jiku kazari method is more teinei. This is still slightly tekitou. For teinei way, see jiku kazari method in white book)
    • Unwrap the maki-o and push the maki-o to the GEZA side of the tokonoma (not just left). Unroll the scroll to just beyond the length of the futai when fully extended
    • Open the futai
      • Starting with the uppermost futai (which should be on the left side now), move it diagonally down, then straight up.
      • Remaining futai, straight down.
      • Top futai, straight down.
    • Roll the scroll up to just hold the tips of the futai in place
    • Hang on the kugi
      • If you can reach it by hand, go for it. Otherwise use a jikukake (name? TODO)
    • Gently unroll, your body tracking down the entire time along with the jiku.
  • Taking down jiku
    • You should really roll it all teinei, don’t do the “pick up the bottom and lift it to half, then roll”.
    • Tying maki-o, first tie right, then left, then back right. Push under kakeo and pull through. You should form an X in the back with the maki-o.
  • Center of the honshi should be level with the kakehanaire kugi